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Dramatists Guild
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The Dramatists Guild Fund and Program Chairs Michael Korie, Laurence O’Keefe, and Diana Son are proud to announce the 2015-2016 Class of Dramatists Guild Fellows. Five playwrights and eight musical theater writers were selected from over 150 applications.

2015-16 Dramatists Guild Fellows include:

France-Luce Benson Miami, FL
EllaRose Chary Gary, IN
Tim Duncheon San Mateo, CA
Greg Edwards San Carlos, CA
Ben Green Boston, MA
Rachel Griffin Springvale, Maine
Brandon James Gwinn Nashville, TN
Sylvia Khoury Westchester, NY
Daniel Lazour Boylston, MA
Patrick Lazour Boylston, MA

Jerome Parker Bronx, N
Jonathan Payne Los Angeles, CA
Stacey Rose Elizabeth, NJ

The Fellows Program, a nine-month intensive in New York, brings together playwrights and musical theater writers to develop full-length pieces by working with experienced theater professionals and artist mentors. Founded in 2000 byLynn Ahrens and Janet Neipris, who led the program for many years along with Stephen Flaherty and Susan Miller, the Fellows Program has been instrumental to over 100 dramatists early in their careers.

The Fellows Program:

The Fellows Program is supported by the Dramatists Guild Fund and administered by the Dramatists Guild. Each year, a select group of new theater writers are accepted into the nine-month program, which provides continued support and training through group sessions with theater professionals, one-on-one mentoring, and resources to build established careers.

Former Fellows include:

Kristen Anderson-Lopez (Academy Award winner, Frozen), Rajiv Joseph (Pulitzer Prize finalist, Bengal Tiger at the Baghdad Zoo), Benj Pasek & Justin Paul (Tony nominees for Best Score, A Christmas Story), Deborah Zoe Laufer (ATCA Steinberg Award, End Days), and Adam Gwon (Fred Ebb and Richard Rodgers Award winner).

The Dramatists Guild Fund

The Dramatists Guild Fund is the public charity arm of the Dramatists Guild of America. Its mission is to aid and nurture writers for the theater; to fund nonprofit theaters producing contemporary American works; and to heighten awareness, appreciation, and support of theater across the country. Each year, DGF awards grants to nonprofit theatrical organizations across the country that produce works by American writers, provides emergency aid to writers facing illness or other unforeseen circumstances, and supports numerous educational programs and writing development opportunities for dramatists.

For more information visit: www.dgfund.org

 

SAYMOUKDA DUANGPHOUXAY VONGSAY
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Saymoukda Duangphouxay Vongsay is a Lao American poet and playwright. Her theater work has been presented by the Smithsonian Asian Pacific American Center, Mu Performing Arts, Consortium of Asian American Theater Artists, and Theater Unbound. She is a Playwrights’ Center Many Voices fellow, a Mu Performing Arts New Performance fellow, a Loft Literary Center Spoken Word Immersion fellow, a VERVE Grant for Spoken Word Poets recipient, and an Aspen Ideas Bush Foundation scholar. www.SaymoukdaTheRefugenius.com

 

Brooklyn Generator
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Stacey is proud to announce that she will be joining:
Bixby Elliot, Ed Cardona Jr., Stephen Kaplan, Kristine Haruna Lee and Erin Mallon as a Brooklyn Generator Season 4 Playwright!

About Brooklyn Generator: From April to September 2016 these six playwrights will each take his or her turn at writing a brand new play in less-than-30-days! Stay tuned to learn more about them and how you can support them as they create new work! ‪#‎thebrooklyngenerator‬ ‪#‎newplaysinlessthan30days‬

FIGHT MOTHER
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March 6, 2017  @ 7:30pm

These playwrights are on fire!

The Amoralists fly the new standard of play development at ‘WRIGHT NIGHT, the FREE public event of ‘Wright Club. Doors open at 7pm, show at 7:30 sharp.

At ‘Wright Night, two club authors present new one-acts in a “dangerously staged” reading, and then sit down for our patented “anti-talkback” — an electrifying conversation about their plays and how they are made. It’s a one-of-a-kind playmaking experience.

ACT I : Playwright Stacey Rose with director Christopher Betts present Muva Death
featuring the martial acting skills of: T Thompson, Darell J. Hunt, Kalyne Coleman, Jordan E. Cooper, and La Tasha Stephens

ACT II : Playwright Lizzie Vieh with director Kristin McCarthy Parker
featuring the lethal talents of: Richard Thieriot, Analisa Velez, Asta Hansen, and Josh Frank

ACT III : The two playwrights debate the merrits of their efforts in a moderated conversation like no other. This is the “anti-talkback” that gives writers and audiences a new perspective on craft.

Good people. Honest work.

THE IMMORTAL LIVES OF BLACK WOMEN
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March 18th 2017

2pm-5pm

The Harvey B. Gantt Center for African-American Arts + Culture

551 S Tryon St, Charlotte, North Carolina 28202

The Black female body has a long history of being subjugated through slavery and medical science. This roundtable discussion will focus on what progress has been made to reclaim the physical body and identity of black women.
The panel features black women who lend historic, artistic, medical and spiritual perspective, including:

Marcia Jones – Visual/Performance artist
Michaela Pilar Brown – Visual/Performance artist
Morgan Maxwell – Researcher and Health Prevention specialist.
Roni Nicole Henderston – Photographer/Filmmaker
Lashaya Howie – Scholar of Af. Am. Studies and Anthropology
Kelley Carboni-Woods – Author and Yoga instructor.

The panel will be moderated by Stacey Rose, a Charlotte/New York based theatre artist whose work focuses on Black identity and the dilemma of the “other.”

See copy of live stream here!

KISS MY BLACK ANGST 2
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Conceived and Directed by: Stacey Rose
Written by: Dani Brockington, Iesha Hoffman, Carlos Robson, Boris Rogers, Stacey Rose, and Korde Tuttle

Want to know why “those people” are STILL so wound up about race? You’ll see when OnQ Performing Arts Inc. and the ever fictitious Media Omni, present to you the NEW face of KMBA! The KMBA 2 app! Join us for a live beta test of the app you simply MUST have on your phone, once we’ve worked out the kinks! There will be compelling reality shows like “The Real Hoteps of The Queen City” and “Cinnamon Love”! World premier visual albums from irrelevant 80s musicians! The Brunch Club radio show brought to you exclusively in CP time and much much more! This live beta test is available for a limited time only so get your ticket TODAY so you don’t miss the opportunity to see Ryan Lochte Whitesplain the secret of his success in front of a LIVE audience! What are you waiting for! Get your tickets … NOW!

STACEY ROSE
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Stacey Rose is a theater artist from Elizabeth, NJ by way of Charlotte, NC. She earned a B.A. in Theatre from UNC Charlotte and an M.F.A. in Dramatic Writing at NYU where she was honored with The Goldberg Prize for her play “The Danger.” Stacey has presented work at The Fire This Time Festival, The Bushwick Starr Reading Series, Mosaic Theater and Rattlestick Playwrights Theater. She was a 2015-16 Dramatist Guild Fellow and served as writers assistant and script coordinator for “She’s Gotta Have It,” The Series. Stacey’s work celebrates and explores Blackness, Black identity, Black history, and the dilemma of life as the “other.” www.staceytherose.com

MEET THE 2017-18 MANY VOICES FELLOWS AND MENTEE
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Please help us welcome 2017-18 Many Voices Fellows Stacey Rose and Saymoukda Duangphouxay Vongsay and Many Voices Mentee Julia Gay.

The Many Voices program, which was created in 1994 and significantly expanded in 2013, will see another increase in funding from the Jerome Foundation for the incoming fellows, from $12,500 to $18,000, plus $2,000 in play development funds.

The Many Voices Fellowship is for early-career writers of color. The fellows receive dedicated support from Many Voices Coordinator Christina Ham and introductions to theater leaders in the Twin Cities and Chicago. One fellow each year must be Minnesota-based, and both writers spend a year-long residency in Minnesota. Previous recipients include Sharif Abu-Hamdeh, Benjamin Benne, Marisa Carr, Cristina Castro, Janaki Ranpura, Harrison David Rivers, James Anthony Tyler and Josh Wilder. The Playwrights’ Center’s 2017-18 Many Voices Fellows are:

Stacey Rose, a theater artist from Elizabeth, New Jersey, who has presented work at The Fire This Time Festival, Rattlestick Playwrights Theater, and others. Rose earned an MFA in Dramatic Writing at NYU where she was honored with The Goldberg Prize for her play “The Danger.”
Saymoukda Duangphouxay Vongsay, a Minnesota-based writer whose work is focused on creating tools and spaces for the amplification of refugee voices, and whose award-winning play Kung Fu Zombies Vs. Cannibals premiered with Mu Performing Arts in 2013.
The Many Voices Mentorship awards a Minnesota-based beginning playwright of color with individually-curated writing and play development services and a $2,000 stipend. The Playwrights’ Center’s 2017-18 Many Voices Mentee is Julia Gay, a writer, performer and dancer who was part of the Transatlantic Love Affair ensemble who devised Promise Land (Guthrie Theater, January 2017) and whose one-woman show motherlanded premiered in 2016 in Pangea World Theater’s Emerging Artist Series.

STACEY ROSE NAMED INAUGURAL WINNER OF BARRINGTON STAGE COMPANY’S BONNIE AND TERRY BURMAN NEW PLAY AWARD
STACEY ROSE NAMED INAUGURAL WINNER OF BARRINGTON STAGE COMPANY’S BONNIE AND TERRY BURMAN NEW PLAY AWARD 150 150 staceyrose

Stacey Rose has been named the inaugural winner of the Bonnie and Terry Burman New Play Award, a new national play contest at Barrington Stage Company. Rose will be awarded $25,000, and her play America v. 2.1: The Sad Demise & Eventual Extinction of the American Negro will receive a world-premiere production at the Pittsfield, Massachusetts, venue.

“There are few words for how honored I am,” said Rose in a statement. “Having the play produced as well meets and exceeds my wildest dreams for the world premiere of this play.”

Second-place winners Brent Askari (for American Underground) and Christina Quintana (for Citizen Scientist) will each receive $5,000 and a developmental staged reading.

Set in the not-too-distant future, America v. 2.1, according to Barrington, is a “day in the life of a troupe of Black actors who are charged with re-enacting the revised history of the once-thriving American Negro. It quickly becomes a day of reckoning as the troupe is forced to face the parallels their own lives draw to the lives of the very Negroes whose stories they are compelled to tell.”

“I want to thank Bonnie and Terry Burman for recognizing the importance of discovering and supporting vital new voices in the American Theatre,” said Artistic Director Julianne Boyd. “Barrington Stage is thrilled to bring to life this summer Stacey Rose’s play, America v. 2.1: The Sad Demise & Eventual Extinction of the American Negro, a provocative, uncompromising look at Black Americans in post-apocalyptic America, and both Brent Askari and Christina Quintana share Stacey’s sense of urgency in telling stories that need to be heard now.”

PRIAPUS PIE: AN AMERICAN TRAGEDY
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CAST BREAKDOWN: 2 FEMALES 2 MALES

Alice Johnson has crafted the ideal life for herself and her husband Howard. At the crux of her marital success? Her absolutely irresistible Apple Crumb Pie that contains a secret ingredient that makes it very difficult for Howard to say no. Tonight they celebrate Howard’s early retirement, a celebration that Alice has plotted for the last 28 years. What she hadn’t accounted for, were variables. When two unexpected guests arrive to sup, Alice’s plans for a tropical future begin to dissipate and madness ensues.

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